Trunkmonkey Racing is in the process of moving over to the WebGUI system for maintaining the team Web site. We’ve also setup this blog for team members to dump random unpolished thoughts before they’re edited and added to the main Web site.
Year: 2003
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Safari 1.0 background-repeat CSS bug…
I’ve been fighting with CSS all afternoon at work trying to get background-repeat to render properly. Turns out Safari 1.0 is broken. Bowl of suck.
- http://www.onda-media.com/jani/archive/safari_bug/
- http://www.xs4all.nl/~mosm/Opinion/Articles/safari_bug.html
- http://mamamusings.net/archives/2003/08/08/css_frustration.php
- http://www.google.com/search?q=safari+css+background+scroll
It looks like it will be fixed in the next version. And there was much rejoicing.
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Looking for studio monitor headphones…
I’m looking for an inexpensive set of headphones I can use for video editing. Prerequisites are price and noise suppression. Basically, I need a set of decent headphones with good range around $30 that will easily suppress the whine of the four servers sitting on a rack five feet from my head. A cow-orker pointed me at head-fi.org but I just haven’t had a chance to do any reading yet. I figured Andrew would be able to give me some insight…
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Final Cut Pro 3 – Managing Timecode Breaks
When filming video with MiniDV cameras are you the type of person who immediately rewinds and watches the most recent clip just to make sure the pervious shot was perfect? If so, you may inadvertently introduce timecode breaks to your source video. A timecode break happens when the tape is not perfectly cued for the next scene and, due to a short blank space between recorded scenes, the timecode resets to 00:00:00:00. When this happens, Final Cut Pro 3 is unable use device control to capture clips over the timecode break.
Instead, the source tape must be considered as multiple reels. If the tape has three timecode breaks, each timecode section must be labeled as a reel. For example, if your reel naming scheme consists of Foo_001, Foo_002, Foo_003, etc., then name timecode breaks Foo_001a, Foo_001b, Foo_001c, etc. This will allow batch capture to operate properly, although the tapes will need to be manually cued to the next timecode jump.
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DRM license transfer…
Let’s see what Apple has to say about reselling music from the iTunes Music Store on eBay. I wonder how long the auction will last before it gets canceled.
